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Band Members • Album • Singles • Artwork • Promo Videos • Lyrics |
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A SMALL DEADLY SPACE
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"The cross I've had to bear
is that I'm overemotional, a tinderbox ready to explode. "I'm a compulsive obsessive. I pick something up and don't let go until I enjoy whatever I can get out of it. But it's easy to get comfortable and safe. If anything's surprising, it's that I stayed where I was in Priest for so long. The excitement is in seeing new things evolve. "From my earliest days to this moment, all that's been in my head is to make the best use of the experience, not where to put the next gold album on the wall. Cynicism doesn't serve any purpose. Whether you're on a big stage or in a garage playing badly, there's got to be the love of the music." - Rob Halford, A SMALL DEADLY SPACE Press Kit, 1995 |
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Management: John Baxter, EMAS |
Produced by Attie Bauw and Rob Halford Chart position: Billboard 200 #120
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Another song was planned for a surprise B-side, but having never seen the light of day, it now remains a mystery:
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Another video was considered but with the changing face of the music video industry, it never came to be:
Also, stay tuned for the possibility of an official Fight DVD in 2005:
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Cover Artist: R. Cratty
Artist R. Cratty had previously assisted with the cover layout on WAR OF WORDS and Sony art director Stephen Walker was art director for the MUTATIONS EP, while manager John Baxter gave final approval for the new logo:
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Early 1995: Changes in a small deadly space
By 1995, changes were in the air: Having faced the departure of two guitarists in 1994 (Russ Parrish and replacement Robby Lochner), the position was finally filled by former The Coupe De Grace guitarist Mark Chaussee, who hails from Minneapolis, Minnesota. Chaussee was discovered through a tape he sent to Halford's management:
Another change was that unlike the songwriting of the debut album, the follow-up was a complete band effort...
The collaborative sound would prove to be far removed from any Priest numbers, and even a bit of a departure from WAR OF WORDS. The music took on a different vibe: Gone were the trademark Metal God screams and fiery guitar solos of the past; in their place were dark heavy pieces and atmospheric experimental pieces, and only one "radio-friendly" song ("Blowout In The Radio Room"). Some say the album was such a departure as to hint at the next step Rob would take on his musical journey a couple years later... Yet the truth is, A SMALL DEADLY SPACE has as much to do with the sounds of Jay Jay and Brian Tilse more so than any future project of Rob Halford. In fact at this point, Fight was unique among aggro-metal bands because of the cleaner dynamic voice of Rob Halford and the pop sensibilities and melodies that 20 years in metal success afforded him to introduce into the mix. A SMALL DEADLY SPACE truly stands out from the metal pack to come before or since, yet to this day, many Priest and Fight fans have mixed feelings as to the album's brave direction, but Rob defends Fight's decision to go against a "pigeon-holed" idea of metal:
After a brief three-month tour, it was clear to Rob and the rest that another change had come: The metal music scene was being pushed underground by the music industry as grunge and alternative came to the forefront in the mid '90s, and demand for Fight was waning. The tour that was planned to carry into 1996 came to an abrupt end in the summer of '95 and Fight returned home to the drawing boards again... |
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FALL 1995: Fight comes to an end The enthusiasm of a new release had Rob seeing a bright future for Fight:
And in late '95, Rob Halford began to write for a third Fight album that was never finished nor presented to the band:
It is hard to say what direction the third Fight album would have taken. The main riff to "Screaming In The Dark" on Halford's LIVE INSURRECTION in 2001 was a hold over from the third Fight album and reveals a return to the more familiar screaming metal Rob was famous for. But Rob also teamed up with a couple other musicians and some pieces born in that period were quite different from anything Rob had ever done previously:
There were also ideas being considered for a possible Fight video package that may still see the light of day in the near future as a DVD:
Whatever the approach might have been for a next Fight album and possible video, before Rob could develop his ideas, Epic Records dropped Fight for lack of demand. Rather than fight a disinterested music industry, the band members reached a decision to disband and move on... - JAY JAY AND BRIAN TILSE:
Ever since moving from Ohio, Jay Jay has been quite active in the Phoenix, Arizona and west coast metal scene. In April 1993, Jay Jay formed the "heavy, semi-industrial, with a slight dance groove" Satanic Industries Ltd. (S.I.L). At that time, bassist Jay Jay was a member of Fight, The aggro-metal band fronted by ex-Judas Priest front man Rob Halford. In these early days, S.I.L had to budget their time between Jay Jay's touring and guitarist Goody's ongoing work as a soundman for Sepultura. Goody has traveled the planet many times over working in various capacities as a guitar tech, tour, stage and production manager and as a soundman with bands such as Sepultura, Sacred Reich, Flotsam And Jetsam, and Biohazard. Guitarist Cristin landed a deal with Mammoth Records in a band called Bigshot Allstar, but after Mammoth downsized, the All-stars had no deal. Rounding out the band was Josh Eber on drums and percussion. Together, they released the self-titled SATANIC INDUSTRIES LTD. Tracklist:
S.I.L
So just how does S.I.L compare to Fight?:
At one point, Jay Jay was part of a band called Pack 666, and this photo of Jay Jay is supposedly from a stint with a band called Beelzebub. Note it shows him wearing the same 666 shirt he wore during the 1994 Fight tour:
Brian Tilse was said to be in a band called Tilt. Jay Jay teamed up with Brian Tilse again in 1997 and formed Vent:
After Vent, both Jay Jay and Brian found themselves frustrated with the music industry's lack of interest in heavy metal and they parted ways, each going to other interests. Jay Jay was now working for a Phoenix, Arizona tattoo shop called Artistic II, and in 1999, he did some personal artwork for Slayer, working on T-shirt designs for their '99 Ozzfest tour, as well as doing guitarist Kerry King's tattoos and designing the tribal pattern for Kerry's custom B.C. Rich guitar:
In the meantime, Brian Tilse moved to a farmhouse in the Midwest and continued to develop his unique guitar sound and unorthodox style, to be called upon by Jay Jay once again a few years later...
In 2001, Jay Jay and S.I.L (now going by the name of Sin Industries Ltd.) returned to the studio with new drummer Rich Contadino, who had previously worked for Fox and Dreamworks as an animation artist. The result was GOING TO CHURCH Tracklist:
Intro Released October 23, 2001 on Triple X Records
Sin Industries Ltd. are currently signed to Stephen Pearcy's (Ratt) Top Fuel Records. In early 2004, Jay Jay and Brian Tilse met again for a brief stint in the six-man Ohio band Lollipop Lust Kill:
Out of this venture, during the winter of '04, Jay Jay and Brian recruited Lollipop Lust Kill drummer Chris "Knits" and formed a new band called Glass Pipe Suicide:
Former Pantera and recent Damageplan guitarist Dimebag Darrell was highly instrumental in inspiring the musicians of Fight in their musical direction and performance. On December 8, 2004, tragedy struck when a deranged man walked across the front of the stage at a Damageplan show in the Alrosa Villa nightclub in Columbus, Ohio and shot Dimebag Darrell Abbott 6 times at point blank range, killing the metal legend. Jay Jay was deeply shocked and saddened by the sudden death of his close friend whom he had the honor of doing a shoulder tattoo for:
Dimebag Darrell will be missed by many people both in the metal community and elsewhere, as he was a person who knew how to touch the heart even before setting the head to banging! R.I.P Dime, 1966 - 2004. - MARK CHAUSSEE: Mark Chaussee recorded BLACKACIDEVIL with Danzig in 1996, but left before the tour started. Apparently, Mark then rejoined his first band, The Coupe De Grace, releasing a demo and touring the Midwest U.S. in 1999. Following that, in early 2000, an outsider suggested that newly formed Missouri band Killswitch work with Chaussee, but that union wasn't meant to be...
Failing the Killswitch audition, Mark joined Stereomud in the summer of 2000, but that too didn't work out:
In 2003, Chaussee then returned with James Mecherle, now known as Jimmy Coup, to work on a "full-on metal" album with ex-The Coup De Grace guitarist Steve Wresh and drummer Brett Degendoffer:
As of October 2004, it is reported that Mark Chaussee has possibly joined Marilyn Manson, or at least they'll see how it works out, to fill the spot vacated by John 5. If this is so, then Marilyn Manson will have the distinction of collecting up former Rob Halford guitar players ("John 5" Lowery and now mark Chaussee). Hmmm... could Metal Mike be next? Or K.K. Downing?! Don't count on it! - SCOTT TRAVIS: Scott Travis of course returned to his gigs with Judas Priest and Racer X. |
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I Am Alive
• Mouthpiece
• Legacy Of Hate
• Blowout In The Radio Room
• Never Again
• Small Deadly Space
• Gretna Greene
• 1. I Am Alive
I am I said I have a dream I am alive
When did you,
Raised by you,
4. Blowout In The Radio Room
Trippin' out, oh yeah
Mind's eye in darkness,
Think I'm possessed by demons,
A purple bruise,
Closed into self asylum, 9. Human Crate
There's a man without a home,
If I could find a place This song was originally written and recorded during the WAR OF WORDS sessions, but instead of using that version, the band re-recorded the song for A SMALL DEADLY SPACE
See disturbing moves All compositions © 1995 EMI April Music Inc./Ebonytree Ltd.
(ASCAP)/Brian Tilse Music |
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TOUR DATES 1995 Rob Halford - v, Brian Tilse - g, Mark Chaussee - g, Jay Jay - b, Scott Travis - d
SETLIST (Orange titles are from the current album)
From the July 13 Toronto show:
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TOUR DATES
1997
Three-fifths of the members of Fight were reunited and billed
as the marquee act under the name "Rob
Halford" for a special benefit show in Phoenix,
Arizona
. The benefit concert was for the local Child Crises Center's
"Children Of The Desert" program designed to give needy children a Christmas
they would otherwise not have been able to have.
SETLIST
Contortion
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© 2002-2004
Steel & Leather Productions, U.S.A.